Showing posts with label UP. Show all posts
Showing posts with label UP. Show all posts

Thursday, July 5, 2018

UP Diliman 107th Commencement Exercises: Paglayang Minamahal

The 29 summa cum laude graduates. (Photo from UPDIO)

The rains came the night before.

That morning the sunflowers along the University Avenue shone, and 4,612 graduates beamed with sunshine on their faces as they walked on soggy ground to their seats. The MassComm graduates unfurled yellow umbrellas, and the would-be lawyers put on their wide sombreros.

Chancellor Michael Tan started the ceremonies with UP reality checks.

Alexander Michael 'Miggy' Bautista,
BS Business Administration, cum laude!
He looked at Alexander Michael 'Miggy' Bautista on his wheelchair in front of the Virata School of Business Administration contingent, and he recalled promising to Miggy the installation of an elevator at Palma Hall. The funds came but there were structural and logistical problems on the shaft. Miggy transferred to Virata. There were no elevators there too but he managed to walk through, figuratively, his course with the help of his parents, schoolmates and even security guards.

People with Disabilities (PWDs_were clearly in Tan's mind; likewise the financially-handicapped UP students who finish their courses the LULI way: lulubog lilitaw. He cited a library science student who went through that hard way and was finally graduating at the age of 34.

He went on to say too that among the graduates are some who suffer from clinical depression, and there were those who did not make it. One particular case, who dreamed of getting back to UP, got killed by the police because he supposedly held up a taxi driver,

Of course, he reminded that the free-tuition policy for undergraduates began this school year 2017-2018. No fees of any kind were collected and that meant, he said, belt tightening.

His parting shot to the graduates: "Many of you have benefited as iskolar ng bayan in the full sense of the word, and you are still exempt from return service, which will require starting this schoolyear for all who benefit from the no tuition fee policy.

"But even if you are not required to render return service, I hope you will think of coming back, and giving back. Huwag munang mag-isip na maging balikbayan, Ang kailangan, pagbabalik bayan, at least stay and work and serve our country."

The university bestowed Sen. Loren Legarda, BA Broadcasting '81, the honorary degree of Doctor of Laws.

Sen. Legarda receiving her honorary Doctor of Laws degree.

In her speech, she recalled the nerdy "student Loren", how she coped with the grind of UP life:  shuttling between classes around the oval via ikot jeepney, dealing with terror professors and the lines to get the best schedule and instructors during registration.

She acknowledged the 'resume peace negotiations' placards raised among the graduates, and said she's all for it.

She noted that there are things in UP that will never change ('hindi magbabago magpakailanman') like the graduation theme 'paglayang minamnahal: paglaya ng kaisipan, ang paglaya ng pamamahayag, ang paglaya mula sa kahirapan, sa kamangmangan, at sa kaapihan.'.

"UP would not be UP if we were to devote ourselves to anything less than service to the people in whatever form," she stressed. "UP would not be UP if it did not dare to lead, to be different, and to excel."

Yellow umbrellas for MassComm graduates.

She then called attention to the 'need to protect and to promote our environment', which pushed her to author and sponsor the passage of laws on solid waste management, clean air, clean water, renewable energy, climate change and people's survival.

The need to protect the weak, the dispossessed, and the marginalized people moved her to support significant legislation on women and children and senior citizens.

She tied these all up in her leading advocacy on culture and the arts.

"I have supported important initiatives," she said, "in the arts in their full range and variety, from our indigenous artisans to Philippine representation in the Venice Biennale."

Legarda is the co-author of the National Cultural Heritage Act, which mandates the National Commission on Culture and the Arts and the local government units to undertake the Philippine Registry of Cultural Properties.

She was forewarned of the lightning demonstration at the end of the ceremonies, which has become a commencement tradition.

She told the demonstrators, "I say welcome, and say your piece if you must ... UP will not be UP without you."

She urged them to look at 'higher forms of, and larger reasons for, protest and affirmation.'

"We need to act," she said, "in our respective spheres and communities, to protect the future. Samahan po sana ninyo ako sa adhikaing ito, at magkaisa tayo sa pagsasabuhay at pagtataguyod ng ating paglayang minamahal.'

China Marie Giuliani F. Gabriel, BA Broadcast Communication, was one of the 29 summa cum laude graduates. She was not the topnotcher, but she spoke on behalf of her fellow graduates.

China Gabriel delivering response on behalf of Class 2018.

She talked about freedom, and asked Class 2018: "... may dilag nga ba ang tula at awit sa paglayang minamahal? Tunay nga bang tayo'y malaya?"

"Insofar as our freedom is concerned," she said, with reference to the issue between China and our country, "we can be firm in our stance yet sensitive to the dynamics of global order. Whatever contention we might have can be worked out through diplomacy-hardcore, as it may need to be--but always keeping that delicate balance between an assertion and enjoyment of rights, and empathy based on a sense of global citizenship and common humanity."

She dwelt on fake news, martial law and historical revisionism.

"In this age of alternative facts and fake news, we can all agree that media plays a huge role in either advancing or combating revisionism," she asserted.

"I look at media as a means to promote positive values, to deepen our appreciation for our own Philippine culture, and most of all, to both mirror and defend truth," she added.

She recalled her mind-opening experiences in history classes and lessons learned on the streets.

Shifting the sablay to the other shoulder: a graduate at last!

"The truth is," she stressed, "we are not free from the horrors of our past. We contest the validity of our memories up to this day, and we find the same terrible chapters of our history repeating itself, with evil manifesting in a different form. For a freedom-loving people, we have allowed too many tyrants to rule our nation. Kung noon pa man hanggang ngayon sinisiil ang ating karapatan, ano nga ba ang kalayaan?"

She acknowledged that "the greatest gift that [UP] has given us is perspectives on using lenses of history, social justice, and our respective disciplines to look at national issues and to address them head-on."

"The call of the times is for us to become truth-seekers," she asserted, "but I challenge each of us to go the extra mile by becoming a guardian of hope and memory."

This was her call to Class 2018: "Magpakatatag at magpakagiting tayo para sa ikauunlad ni Inang Bayan. Let our enthusiasm to learn transform into enthusiasm to serve and to remember; together, let us create new memories for our liberated Pilipinas, stand for truth, and actualize our loving vision for the Filipino society."



Thursday, March 5, 2015

SiningSaysay: time travel into Philippine history through art



Note: This photo-essay appeared in a slightly different version in the 27 Feb -05 Mar 2015 issue of the FilAm Star, 'the newspaper for Filipinos in mainstream America' published in San Francisco,CA. The author/blogger is the Manila-based Special News/Photo Correspondent of the said paper.


"Martial Law in the Philippines" by Adi Baen-Santos

It’s the 29th anniversary of the EDSA People Power revolution. According to reports, the EDSA People Power Commission decided to keep the celebration very simple this year in preparation for an ‘all-out’ 30th commemoration next year.

President Benigno Aquino III and his family though are expected to attend the mass at the People Power Monument along EDSA today (25 February), which Archbishop Luis Antonio Cardinal Tagle celebrates.  Last year, Aquino skipped EDSA and went to Cebu for the commemorative program.

Macario Sakay from Norman Dreo's mural. 

Yesterday, former President Fidel V. Ramos led the flag raising and wreath laying ceremonies at the Libingan ng Mga Bayani to honor past heroes including the military personnel who joined the EDSA revolution.  Cory Aquino, the president’s mother, Ramos and Senator Juan Enrile were among the key figures of that historic peaceful revolution.

 The opening to the public on 19 February of the SiningSaysay: Philippine History in Art was very appropriate for the low-key People Power anniversary celebration. This is a collaborative art and history project of the University of the Philippines, the UP Alumni Association and the Araneta Center, Inc.

“SiningSaysay combines Sining (art) and Kasaysayan (history),” explained Prof. Grace Javier-Alfonso, in the “grand manner” painting or history art tradition of the UP College of Fine Arts.

The exhibit comprises 30 murals created by top Filipino artists from UP, each canvas measuring 6 feet x 12 feet. These are visual images of historical events and personalities from the pre-Hispanic times to the present.  The collection is mounted at the Gateway Gallery at the 5th floor of the Gateway Tower Mall in Cubao, Quezon City. 
 
SiningSaysay will be on view for the next two years with the aim of “engag[ing] the public [and the artists] in a continuous discourse in Philippine history” in order “to build a sense of nationhood and contribute to the people’s pride.”

To those who joined the EDSA People Power Revolution in February 1986, Angel Cacnio’s “Filipinos Unite to End Martial Law” mural evokes the promise of change for the better with the restoration of democracy. Whether that came about is a continuing subject of public discourse.

"Filipinos Unite to End Martial Law" by Angel Cacnio

The canvas of Adi Baen-Santos on “Martial Law in the Philippines” would recall to the First Quarter Storm generation one of the nation’s darkest moments: when Ferdinand Marcos placed the country under Martial Law on 21 September 1972. The mural depicts what Marcos deemed threats to the nation: communism, the Muslim secessionist movement, restive labor sector, student activism, and the oligarchs. The political dynamics of the time are represented by the images of Ninoy Aquino, Jose Maria Sison, Nur Misuari, and Imelda Marcos fluttering with ‘the true, the good and the beautiful’ blue ribbon.

"Restoration of Democracy Continues" by Grandier Bella

Cacnio and Baen-Santos are in the last four of the 30 murals. The next two are recent historical memories:  Michael Velasco’s “Ramos/Estrada Administration” and Grandier Bella’s “Restoration of Democracy Continues”.

Velasco portrays the watch of presidents Fidel V. Ramos and Joseph Estrada, the central image has them riding a jeepney with the iconic symbol of the centennial of the declaration of Philippine Independence on 12 June 1898.

This canvas invites public discourse esp. with regard to the pending Bangsamoro Basic Law (BBL). The Ramos administration negotiated with the Moro National Liberation Front (MNLF) and appointed Nur Misuari chairman of the Southern Philippines Council for Peace and Development. Estrada recently opined about an ‘all-out war’ following the Mamapasano event that resulted in the death of 44 SAF troopers.

Bella has former President Gloria Macapagal Arroyo and President Aquino occupying the left and right sides, respectively, of the canvas. There is no telling though of the rift between the two with the pursuit of Aquino’s “matuwid na daan” promise to do away with graft and corruption in government. In the whole, it’s a cheerful canvas which is shared by Manny Pacquiao, Efren Penaranda and a beauty queen. There’s a reminder though that Senator Trillanes once led a military uprising during the Arroyo watch.

Depending on one’s leisure, the viewer can browse through the texts after viewing each canvas for full appreciation of the visual images.

Petroglyphs detail from Junyee's "Pre-historic Philippines" canvas
We. started with two canvases on “Pre-historic Philippines”.  Junyee tells us that there’s an evidence of   a writing system, the petrogylphs found in the Angono caves, still undeciphered today, consisting of line and geometric incisions, and drawings of human figures.   Benjie Cabangis shows us the spiritual beliefs of pre-historic peoples, and the representation of the representation of their anitos.

The next two are about “Peopling the Philippines” (Simkin de Pio and Gig de Pio). One learns that the Filipinos belong to the Austronesian Race.  We’ve always thought we are of the Malay race.

“Pre-Hispanic Philippines” ( Randy Solon) shows the various ethno-linguistic groups that peopled the archipelago which had their own socio-political, economic and cultural institutions: the Ilongots, Gaddangs, Igorots in the North and the Manobos, Bilaan, Bagobo, Tiboli, Yakan, Palawanon and the Tausug in the South.  The canvas is embellished with colorful images of pre-Hispanic Filipinos from the Boxer Codex.

National Artist Abdulmari Asia Imao painted “Muslims in the Philippines” which shows how they faced Christianity (represented by the images of retablo altars) during the Spanish and American regimes.
 
"Chinese in the Philippines" by Janice Young


Janice Young’s “Chinese in the Philippines” is peopled by many prominent Filipinos with Chinese blood: Jose Rizal, Emilio Aguinaldo, Sergio Osmena, Pedro Paterno, Chief Justice Claudio Teehankee, Cardinal Sin and Cory Aquino.  The old generation is depicted by gray images of coolies and workers, which reminds that sometime in the 1600s, there was a great debate even among the religious whether the Chinese should be expelled from the country or not. Today’s young Tsinoys are represented in the canvas as well.

"Women Empowerment in the Philippines" by Grace Alfonso


Another interesting people canvas is Grace Alfonso’s “Women Empowerment in the Philippines.” She depicts the Filipina’s active role in society from pre-Hispanic times to the present, from the babaylan to the contemporary women who continue to fight for women’s rights. In between are the likes of Gabriela Silang, Tandang Sora, the suffragettes, and the women activists of the Martial Law years.

"History of Labor in the Philippines" by Neil Doloricon

Neil Doloricon shows us the “History of Labor in the Philippines” through the faces of Isabelo de los Reyes who established the first labor union in 1901, and other labor leaders like Jacinto Manahan, Pedro Abad Santos and Crisanto Evangelista atop the dynamic portrayals of laborers at work or on the march.

The History Art tour took us to “The West Discovers the Philippines” (Bim Bacaltos and Ding Hidalgo) which narrate the expedition of Magellan, the battle of Mactan and his death at the hands of Lapu-Lapu.

Detail from Salvosa's "Galleon Trade" mural. 
Jonah Salvosa’s “Galleon Trade” is a colorful narrative of the galleons plying between Manila and Mexico. Details also show the building of the Walled City (Intramuros) and the coming of the various religious orders that would figure prominently in the establishment of pueblos and churches all over the country.

We went through the colonial periods the nation’s proud and brave history:  the Spanish colonial period, how we responded to it via the early revolts, the reform movement, and eventually, the Philippine Revolution (murals by Vincent de Pio, Aileen Lanuza and Romy Mananquil); and the Filipino experiences during American colonial regime, how we re-asserted our independence, how we felt betrayed (Don Artificio, Norman Dreo and National Artist BenCab).

The Commonwealth Period is represented by canvases from Cris Cruz (“The Philippines under the Stars and Stripes”) and Romy Carlos and Norman Dreo (“Quezon/Osmena Administration”).  One sees here the transfer of the University of the Philippines to Diliman from its Manila campus, and the creation of Quezon City.

The peaceful narrative is interrupted by “Occupied Philippines” by Julius Samson showing the atrocities of war at the bottom part and the return of MacArthur as focal point.

The post-WW2 era is depicted by canvases showing the governance of Manuel Roxas (“Building from the Ashes” by Norly Meimban), of Elpidio Quirino (“Quirino Presidency” by Romy Carlos and Michael Velasco), of Ramon Magsaysay, Carlos Garcia and Diosdado Macapagal  (“Post-War Philippines” by Ben Infante). These canvases highlight major events or achievements during their presidencies.

"Muslims in the Philippines" by Nationalist Artist Abdulmari Asia Imao

Our SiningSaysay tour was capped with light moments on two canvases: “Philippine Festivals” by Romy Carlos to remind us of fiesta times in our hometowns or popular tourist sites; and “Philippine Icons and Symbols” by Denes Dasco to recall for us our badges or icons of identity like JP Rizal, Andy Bonifacio, mango, bahay kubo, and the Philippine Eagle.

That was one enjoyable educational artistic tour of our history!